
The Hollywood Reporter's Daniel Fienberg Review: They slid right back into them with such ease, like they'd never forgotten any of their ticks and foibles, and it makes it just as easy for fans to slip back into spending our Thursday evenings with them. Mullally slips into Karen's sauced up sexuality like she never took it off, and what can be said about Debra Messing and Eric McCormack? Clearly these characters are as cherished and beloved by the people who portrayed them as they were for a generation of fans. I didn't expect a 47-year-old Sean Hayes to do as much physical comedy as he did in his 30s, but he doesn't miss a beat looking as fit and limber as ever. Perhaps most importantly, the cast and creators haven't missed a beat in what made the show special. Take a look at 7 of the best reviews praising the "Will & Grace" reboot: TooFab's Jason Hughes Review: Romantic Comedy (every comedy is romantic comedy, in the Shakespearian definition, and indeed by any definition, if the standard is laugh count.) But succeeding like this episode does (even if you have never seen an episode of Will and Grace) teaches the aspiring comedy writer how the structure itself allows the greatest freedom to the comedy writer to be just that: funny.'Will & Grace' Stars Make Up Lyrics to Show's Theme Song on 'Tonight Show' The use of juxtaposition of opposites is a liberating tool, used more than successfully. In the end, we see problem-solving in relationships explored through several different couples. The four writers succeed in imbuing characters with background details and quirks, while making you laugh, thus enriching the entire texture of their intermingling needs in life and from each other. I wish to challenge viewers unfamiliar with the recipe, that they find any successful, funny (your laugh count is the true test) episode of comedy, ever, that succeeds in laughs. This episode with its rich provision of character traits and background relationship exposition, the genuine funniness of every single finished unit, with the best one-liners in television ending each scene, is art.

Comedy is the most difficult genre, we all know. One roommate, Will, has therefore a problem getting a guy his roommate/bestie, Grace with the opposite problem, an overly attentive lovesick boyfriend. Learning why that wasn't a good idea final attempt to fix problem the advisors gave. We do three scenes each of each couple: initial acceptance of advice.
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Take the following couples and show how we hate advice: Will Truman (male protagonist) receiving advice on a recent blind date he lost, from his similarly gay bestie, Jack Will's co-protagonist, his lovely faghag bestie, Grace (Debra Messing as the best female protagonist comedy has seen since Lucille Ball) receiving advice from her superficial, alcoholic, drug-addicted, gorgeous New York Social X-Ray, (pseudo assistant interior designer) Karen Walker, neighbour of Meryl Streep, married to an obese, never-seen billionaire, Stanley, about how to get her pushover boyfriend to be more decisive, re which restaurants to attend,what to do on a date. Rare is the non-hateful reaction to our loving family/friends' advice. It not only echoes the central theme but it IS the central theme: "Advise and Resent." We all dislike personal advice given us. But genius (in this case four separate writers working in collaboration) is in the funniest concluding line after each point. The rules of comedy writing are universal and straightforward. I would offer up this Will and Grace episode as a pure and successful contender.

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There needs to be, among aspiring screenwriters, a reality show in which you postulate and prove that your chosen TV comedy episode is better than any other.
